1. At the beginning of the book, before she is incarcerated, Romy Hall, the central protagonist of　The Mars Room, says, "I said everything was fine but nothing was. The life was being sucked out of me. The problem was not moral. It had nothing to do with morality. These men dimmed my glow. Made me numb to touch, and angry" (page 26). What role do morality and virtue play in the telling of Romy’s story? Does morality factor into who is judged guilty and who is judged innocent?

2. The San Francisco depicted in this book is perhaps not a classic one of, as Romy puts it, "rainbow flags or Beat poetry or steep crooked streets," but "fog and Irish bars and liquor stores all the way to the Great Highway" (page 33). Was the San Francisco depicted in the novel a surprise to you? What significance do you read into the scene with the "Scummerz" and the young boy making noodles on the stove? Why is everyone from her past and all her memories so remote and vanished? Is this the nature of childhood and the erasure of cities, or something else more complicated and individual to do with Romy?

3. The overwhelming majority of people, and certainly middle-class people, will never spend a single day of their lives in jails and prisons. Should those who don’t have that dark destiny worry for those who do? What impression do you have, after reading　The Mars Room, about individual agency, and who goes to prison in this country and who doesn’t?

4. "Sammy was my big sister and I was Button’s, and Conan was something like the dad. We had a family" (page 241). In order to cope with their difficult surroundings the women of Stanville create familial bonds with each other. Do these women nurture one another or is their "family" more of an alliance of protection? What are the benefits of a "family" arrangement? The risks?

5. After recounting an emotional story from childhood, Conan says, "There are some good people out there . . . some really good people" (page 252). Discuss the acts of generosity in this novel. Which ones stand out? These women seem to start at disadvantages. They take wrong turns. The prison system lacks mercy or a shot at redemption. Would many of these characters’ lives have been different with more, or greater, acts of generosity?

6. Straining the edges of a reader’s compassion perhaps is the character Doc, the "dirty cop" who had been involved with Betty LaFrance and is eventually strangled by his cellmate. Why do you think Kushner included him and his story in the book? Does he achieve a kind of unexpected likability, and if so, how?

7. Romy says, "To stay sane you formed a version of yourself you could believe in" (page 269), and earlier, "Jackson believed in the world" (page 156). Kushner makes a connection between the wide-eyed optimism of youth and the crushing realities of what the world can be for those born without power or wealth, and for those who have made irreversible mistakes. Discuss the role that Jackson serves in the novel. What does he symbolize to Romy?

8. "Part of the intimacy with nature that you acquire is the sharpening of the senses. Not that your hearing and eyesight become more acute, but you notice things more" (page 299). This is presumably the voice of Ted Kaczynski, but its placement suggests a link to Romy’s escape into nature. Why does she end up alone in the woods? What does this say about the human need for connection with the outside? In what other ways does Romy seem to be shut off from the outside world? What role could a connection with nature play in rehabilitation?

9. What role does gender play throughout the novel? What differences did you see between the experiences of incarcerated men and incarcerated women? How did gender factor into Romy’s trial and sentencing?

10. Serenity Smith is a transgender woman whose presence generates an outsized reaction from the women of Stanville. Discuss the controversy among the prisoners concerning this character. How do their surroundings contribute to their reaction to her? And what does Serenity’s predicament say about the structure of prison? What is society to do with people who cannot assimilate into the caged spaces allotted for them?

11. Hauser can be seen in different lights. Was he a predator, or was he a man who meant well but could not resist temptation? Discuss the effects of his actions on Romy.

12.　The Mars Room　comes from the name of the strip club where Romy works before she is incarcerated. What does the phrase "Mars Room" bring to mind? What do these two worlds—a central California women’s prison and a San Francisco strip club—share?

13. In the final moments of the book, Romy is in the forest, bathed in light: "I emerged from the tree and turned into the light, not slow. I ran toward them, toward the light" (page 336). There is something both heavenly and hellish in this description. Discuss the dichotomies: Is the scene ultimately despairing or hopeful?

14. In the final paragraph of the book, Romy reflects on giving Jackson life. She calls giving life "everything." Is this a comment on her own life, or some manner of reinterpreting life as extending into other regions beyond the one she’s been given and that has been taken away? Is it some way of being part of something in the world that is larger than she is and that goes beyond her? What is the import of the final sentence? Is your sense that the world, at the end, is a human world, a natural world, both, or neither?